Vlad
Hi, I'm Vlad, and I'm an electronic composer and producer. I've been doing this for around seven years, and more often than not, I felt like I was hitting the limit of my potential due to things like lack of self-confidence or music theory basics. Everything was done kind of intuitively, and hence with lots of extra effort.
The course with Katarina helped me progress as a musician and artist on so many levels. The biggest breakthrough was systematic thinking. Before, some parts of the production process felt like a bottleneck — my weak spots, for example, composition or mixing — and I kind of avoided them because I didn’t know where to start to reach the results I needed. Now, I feel I can decompose any task basically into more digestible pieces and have a clear step-by-step process in my head. What felt boring and difficult before, like mastering, became engaging and interesting. I feel more in control, and the workflow became more systematic.
I should mention that Katarina’s blend of academic and electronic production methods was perfect for me. Part of the course with classical music theory is simply refined from unnecessary over-complications you don’t always need for modern music production. Of course, we were given all we needed to produce in a DAW: a selection of battle-tested plugins, methods, and techniques. And by the way, if you don’t work in Ableton like I do, there were zero issues going through each lesson in my DAW of choice.
The course is really practice-centered, and I enjoyed all the tips and hints, big and small, that Katarina was sharing — things I haven’t found in YouTube tutorials for many years, and they really make a difference in speed and results. As a tutor, Katarina is really easygoing. I never felt pressured and, on the opposite, always encouraged. I took the package with extra one-on-one lessons, which allowed me to also dig into the details of my workflow, my past productions, and also to have feedback on commercial work-in-progress pieces that I was doing in parallel with the course.
Lastly, I started to feel more confident in taking on more challenging projects than ever. Since I started the course, I produced my first soundtrack for a full feature movie — a documentary I always wanted — including mixing and mastering, not just composing. I’ve presented my release at a major European festival and started performing in multi-channel live sets, another thing I had been lacking for around five years, and now I feel I can do it.
Although it's not part of the program, as a bonus effect of compositional thinking and the overall approach and mindset developed during the school, my DJ mixes for radio stations, for example, became noticeably more fluid and intertwined, feeling more like a single piece than a compilation of different tracks — again, thanks to this mindset and outlook on the process.
In summary, I finally feel I have a strong foundation to take on any musical, sound art, production, audio installation, or audio polishing projects and have fun on the way. So I can recommend this to everyone, basically.